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Gender in Management
Material type:
BookPublisher: Emerald ISSN: 1754-2413.Subject(s): -- Email, -- FeminographyOnline resources: Click here to access online Summary: The purpose of this paper is to offer a feminography, that is a “narration of a female self in a
feminist age” (Abrams, 2017) by presenting a conceptual analysis, derived from experience, of email
providing a form of discourse – that the author calls finger-speak – through which unexamined gender
positioning caricatures a person’s identity. In so doing, the paper provides an illustrative case of a female
manager being positioned through email to “know her place, perform it and feel it” (Hey, 2011).
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Main Library | https://www.emerald.com/insight/publication/issn/1754-2413/vol/33/iss/1 (Browse shelf) | https://www.emerald.com/insight/publication/issn/1754-2413/vol/33/iss/1 | Available |
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| https://www.emerald.com/insight/publication/issn/2514-9288/vol/55/iss/5 Data Technologies and Applications | https://www.emerald.com/insight/publication/issn/2514-9288/vol/56/iss/1 Data Technologies and Applications | https://www.emerald.com/insight/publication/issn/2514-9288/vol/56/iss/2 Data Technologies and Applications | https://www.emerald.com/insight/publication/issn/1754-2413/vol/33/iss/1 Gender in Management | https://www.emerald.com/insight/publication/issn/1754-2413/vol/33/iss/2 Gender in Management | https://www.emerald.com/insight/publication/issn/1754-2413/vol/33/iss/3 Gender in Management | https://www.emerald.com/insight/publication/issn/1754-2413/vol/33/iss/4 Gender in Management |
The purpose of this paper is to offer a feminography, that is a “narration of a female self in a
feminist age” (Abrams, 2017) by presenting a conceptual analysis, derived from experience, of email
providing a form of discourse – that the author calls finger-speak – through which unexamined gender
positioning caricatures a person’s identity. In so doing, the paper provides an illustrative case of a female
manager being positioned through email to “know her place, perform it and feel it” (Hey, 2011).
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